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A Short Course in Digital Photography.pdf
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Unknown
Pages :160
Format :pdf
Size :3.8 MB
Upload date :03-17-05

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Free Ebook on Photography : A Short Course in Digital Photography.pdf

Selection Criteria

When choosing a color printer there is no better way to compare than to print one of your own images on a variety of them and compare the results. Barring that, you can read reviews or ask around. When doing so, here are some things to keep in mind: Specialized photo printers may not work as well on general tasks such as word processing. Even if they do, their per/page costs may be higher and their operation slower.

The cost of the printer isn't the only consideration. You also have to factor in the costs of paper and ink or toner. These recurring costs can soon exceed the cost of the printer. Processing images takes a lot of power, so printers often have as much computing horsepower and memory as a PC. Some printers form the complete image in memory prior to printing it. Doing so speeds things up if the printer has enough memory. The proportions on the image sensor and the printer may or may not match. If they don't match, you may experience "cropping" or have to reduce the size of your image to fit on the page. This is especially true on snapshot printers and self-service printers in photo shops.

A Word About Printer Resolutions

When it comes to printers, resolution is not the final determiner of color or quality.......more

Download free ebook : A_Short_Course_in_Digital_Photography.pdf
Free downloadable ebook on Photography Tutorial

For example, an ink-jet printer with a resolution of 1400 dpi won't give as good a print as a dye-sub printer at 300 dpi. This is because, each pixel on an ink-jet printer isn't a single drop of color but a cluster of many drops. The accuracy with which this is done can have a profound impact on the "perceived" resolution of the image.

For ink-jet printers, the size of the small ink drops is more important that the dpi. For example, some of the best printers use only 300 x 300 addressable dots per square inch but use between 25 and 36 dots per pixel.

Halftones and Dithers

On most printers (dye-sub is an exception), each printed dot has the same density of color. If the printer only combined these solid colors, it would be limited to the eight primary colors describe above. To get the millions of colors in a photograph, the printer has to "fake" it by generating a pattern of small dots that the eye blends to form the desired shade. This process is called halftoning or dithering and designing printer software that does it well is as much art as it is science. As a result, printers vary widely in the methods used and the results obtained. One sign of halftoning being well done is when a smooth gradation of color in the original looks smooth in the print. If the process isn't well done, these smooth transitions will be made up of distinct bands of color and may also include moiré or doily patterns. Halftoning is done by arranging printable dots into grid-like groups, called cells, and then using these larger dots as a single unit to print pixels with. Each cell may be 5 by 5 or 8 by 8 dots in size. The three or four primary colors are printed combined in a pattern of dots in these cells, and the eye perceives them as intermediate hues.

For example, to print purple the printer uses a combination of magenta and cyan dots. For less saturated hues, the printer leaves some dots unprinted and hence white in color.

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